One @ The Ballet
What is One @ the Ballet?
Launched in 2009, One @ the Ballet is an exclusive, in-studio dance experience held once a month on Saturdays. Designed to break the traditional boundaries between stage and audience, this intimate event brings you closer to the dancers than ever before. Led by our esteemed Artistic Director, Janek Schergen, each session offers a rare, behind-the-scenes glimpse into the world of ballet.
From the personal rituals dancers perform before stepping on stage to the intricate creative process of choreographers, One @ the Ballet offers rich, narrative-driven insights. You’ll gain a deeper appreciation for dance through a blend of storytelling and live performances, featuring captivating excerpts from our main season productions. This unique, up-close interaction with the dancers allows audiences to not just watch but connect with the artistry of ballet in a truly personal and memorable way.
One @ the Ballet provides an unmatched opportunity to experience ballet in its raw, unfiltered form. Unlike traditional stage performances, this event brings you right into the heart of the studio, where the magic of dance happens.
2026 One @ the Ballet 1:00-2:15pm Saturdays
31 January 2026
Ballet 101
Event Details
The heritage and history of ballet is a story that is worth telling and how the development of modern dance morphed into contemporary dance theatre is part of this dialogue. What is it that has led classical ballet and contemporary dance to be considered one of the most respected of the international fine arts alongside literature, music and drama? We’ll show you the daily lives of dancers, from morning class, to rehearsal and into the experience of performance for them. You’ll experience greater insights and learn a great deal more than just attending a performance.
21 February 2026
Music & Dance
Event Details
Dance and movement are inspired by sound. In the most realized of that meeting is the choreographer’s art. Music serves as our deepest response to how dance is created. Brilliant composers like Peter Ilych Tchaikovsky and Igor Stravinsky worked closely in developing whole pieces of music meant to be companions to the movement created by a choreographer. The successful union of these art forms can take an audience beyond the ordinary and create a memorable experience and transform how we can link all the senses.
14 March 2026
Coppélia
Event Details
Coppélia is one of the most charming of all classical ballets. It is the story of a young man, Franz, who is in love with a beautiful village girl, Swanilda, but momentarily distracted by a mysterious girl named Coppélia. Unknown to him, she is a mechanical doll created by Dr. Coppelius. Originally choreographed by Arthur St. Leon in Paris in 1870, it was inspired by a tale from E.T.A. Hoffmann to music of Leo Delibes. Coppélia was first produced for SDT in 1995 and has become a beloved part of our history and repertoire. The magic of the story beginning with a French village fete in Act I, progressing on to the wedding celebration for Swanilda and Franz in the Act III, will be presented.
25 April 2026
Identity
Event Details
What is it that makes Singapore Ballet unique unto itself? All ballet companies have their own individual repertory, as well as international and full-length classical ballets, that have been presented as an indication of what are the aesthetics of the organisation that we would like to reflect. More than that, each professional dance company is aware of their audience’s tastes in performances and responds to that by balancing older, newer and international repertoire. Singapore Ballet has more than 60 uniquely created ballets, in addition to international repertoire to “set the standard” in performance. We’ll endeavour to show you the uniqueness in our dancers, our repertoire and our style.
23 May 2026
Treasures
Event Details
Dance companies are always asked what is “new” in the repertoire. It becomes a matter of balance to present a mix of heritage repertoire and new works for our audiences. With an expanding repertoire, as the years progress for Singapore Ballet, certain ballets emerge as the identity of the company and new works are influenced by the style of those particular choreographic pieces. What continues and how we move forward is the alchemy that forms the unique identity and perspective of the repertoire for our audiences. We’ll show you what defines us as a dance company and where we are intending to go in future.
27 June 2026
Decades
Event Details
Singapore Ballet was co-founded as Singapore Dance Theatre in 1988 by Anthony Then and Goh Soo Khim with just seven professional dancers. In 38 years, we have grown to the point where we now have 36 dancers and six performance seasons that span though the calendar year, as well as international touring. The repertoire has included some of the most well-regarded international choreographer’s works in newly created and established pieces as well as full-length classical ballets. The company is now one of the most significant arts organizations in Singapore. The path we have travelled towards building the company will be shown with several examples of the 2026 repertoire presented in segments.
25 July 2026
Masterpieces
Event Details
Dancers are only as good as the ballets each company presents onstage. The greatest names in choreography are represented within performances seasons. Singapore Ballet has a wide range, in its history, of significant choreographers and each and every one cannot be presented every year. What and why ballets are chosen is the situation we’ll explore with some of the finest examples of our repertoire on display.
22 August 2026
The Nobel Art
Event Details
As Mr. Balanchine once said “I do not want people who want to dance, I want people who have to dance”. Dancers are a unique and beautiful breed of artists. A person who has trained and danced professionally will forevermore describe themselves first and foremost as a dancer. How they prepare and progress to professional status, why they choose to pursue careers in dance, as well as their life of rehearsal, performances and touring is all part of the rewards of a life of a dancer. This session will focus on the special quality that dancers share with each other as friends and artists. The trust and bonds that dancers share is demonstrated in the segments of ballets presented for this session
19 September 2026
Next Generation
Event Details
“It’s good to look back, but try not to stare…” We, as most repertory-based ballet companies, endeavors to build on the classical ballet heritage with new directions in choreography, as well as the overall look, development and abilities of the dancers. Just adding new repertoire into the performances is only the first step and who, where and how the next generation of dancers, choreographers come to the forefront is how dance will remain a relevant art form. We want to show you how where we came from has led us to where we are now and where we hope to progress to for our audiences.
24 October 2026
Legends
Event Details
The era of great names in choreography is a matter of discussion-August Bournonville, Marius Petipa, Michel Fokine, Sir Frederick Ashton, George Balanchine, Jiri Kylian, Sir Kenneth MacMillan, Paul Taylor, Martha Graham… The list is representative of what we consider today to be the standard for choreographic excellence. At the same time, the desire for what is new and exciting can be held back by the mere fact of these great names and their legacy. In the end what is good, as well as unique, in choreography is built on the past without getting stuck there.
28 November 2026
The Nutcracker
Event Details
In the last session of the year for One @ the Ballet, we will focus on our unique production of The Nutcracker. The Nutcracker has become a holiday tradition throughout the world and is often performed annually by many companies. The ballet has some very well-known scenes including the beautiful Snow scene and the voyage through the Land of the Sweets, featuring the famous Sugar Plum Fairy in a pas de deux with her cavalier, the Prince. We will show some of the sections of choreography, as well as the elaborate costumes made for the production.
- Registration and Payment
- All participants must register online through the Singapore Ballet website.
- The fee for each One @ the Ballet session is $25. Payment must be completed at the time of registration.
- Registration is open year-round, but each session is subject to availability and maximum capacity. Once the session is full, registration will be closed.
2. Cancellation and Refund Policy
- All registration fees are non-refundable. No refunds will be provided for cancellations or no-shows.
- Singapore Ballet reserves the right to cancel or reschedule a session in the event of unforeseen circumstances. In such cases, registered participants will be informed, and alternative arrangements or refunds will be offered.
3. Attendance
- Registration is required to attend each session. Participants will not be admitted without prior registration.
- Seats are available on a first-come, first-served basis. Registration on the day of the event opens at 12.45 pm, and seating is free seating.
- Children aged 3 and below will not be admitted. Singapore Ballet reserves the right to refuse entry to individuals who do not meet this age requirement.
4. Health and Safety
- Singapore Ballet follows all government regulations and health advisories. Participants may be required to comply with any health and safety protocols in place at the time of the event.
- In the event that participants display any symptoms of illness, they may be refused entry to the session.
5. Programme Changes
- Singapore Ballet reserves the right to make changes to the program, including changes to performers, without prior notice.
6. Photography and Recording
- Photography, video recording, and audio recording during the session are strictly prohibited unless otherwise stated by Singapore Ballet.
- By attending One @ the Ballet, participants grant Singapore Ballet permission to use any photos or videos taken during the event for marketing or promotional purposes.
7. Liability
- Singapore Ballet will not be held responsible for any personal injury, loss, or damage of property incurred during the event.
- Attendees participate at their own risk and are advised to take care of their personal belongings.
8. Late Entry
- Latecomers will be admitted at an appropriate break in the presentation, as determined by Singapore Ballet staff. Please arrive on time to avoid any disruptions to the session.
9. Intellectual Property
- All content shared during One @ the Ballet, including performances, choreography, and presentations, remains the intellectual property of Singapore Ballet and the artists involved. Unauthorized use, reproduction, or distribution of this content is prohibited.
10. Code of Conduct
- All attendees are expected to behave respectfully towards the dancers, staff, and other participants. Disruptive behavior will not be tolerated and may result in removal from the event without a refund.
What is One @ the Ballet?
One @ the Ballet is a monthly in-studio dance experience that offers audiences an exclusive, up-close look at the world of ballet. Led by Singapore Ballet’s Artistic Director, Janek Schergen, the event features narrative-driven sessions exploring various dance topics, as well as live performances by our dancers.
How often is One @ the Ballet held?
It takes place once a month on a Saturday. Please refer to the schedule on our website for specific dates.
How long does the event last?
Each session runs for approximately 1 hour and 15 minutes, from 1.00 pm to 2.15 pm.
Where is One @ the Ballet held?
The event takes place at Singapore Ballet’s Founder’s Studio.
How much does it cost to attend?
The fee for One @ the Ballet is $25 per session.
Can children attend the event?
Children aged 3 and below are not permitted to attend. We recommend this experience for adults and older children who are able to appreciate the content of the sessions. Children 4 years and above must purchase a ticket for entry
When can I register for a session?
Registration is open year-round, but seats are limited. Make sure to book early, as sessions tend to fill up quickly. Once we reach maximum capacity, registration for that session will close.
Is seating assigned?
Seating is on a first-come, first-served basis. Registration on the day begins at 12.45 pm, and attendees will be seated upon arrival.
How can I check the schedule for upcoming sessions?
You can find the monthly schedule for One @ the Ballet on our website under the One @ the Ballet section. Be sure to check regularly for updates.
What should I expect from the event?
Each session offers a behind-the-scenes look into the world of ballet, including insights into dance preparation, choreography, and live performances from Singapore Ballet dancers. The format is part-narrative, part-performance, making it a unique and engaging experience.
How do I register for One @ the Ballet?
You can register online through our website. Simply select the session you would like to attend and follow the registration process.
What happens if the session I want to attend is fully booked?
Once a session reaches maximum capacity, registration will close. We encourage you to sign up early to secure your spot, as seats are limited.